(December 6, 2016) Getting ready to Prague for the inauguration of the exhibition of contemporary art dedicated to 16 young Italian photographers. The date is Thursday, December 8 at 17:30 at the baroque chapel which is inside of the Italian Institute of Culture in Prague (Vlašská 34). “Et Cetera – Italian young street photography” is the title of the exhibition which will offer 48 works, three for each artist: the common theme of the works on display for the “street photography”, street photography with subjects taken in real and spontaneous situations to tell and highlight some aspects of society. To organize the exhibition, which can be visited until Friday, January 20, the Eleutheria Foundation in collaboration with the Italian Institute of Culture of the city. To do the honors at the opening of the exhibition will be the Director of the Italian Institute of Culture in Prague Giovanni Scioli and President of the Eleutheria Foundation Francesco Augusto Razetto. The exhibition is curated by the Eleutheria Foundation, under the auspices of various institutions including the Italian Embassy in Prague, the Italian Institute of Culture and the Italian-Czech Chamber of Commerce and Industry. “The initiatives carried out under the ‘Et Cetera project’ – said the Ambassador Aldo Amati – have the merit of strengthening the relations between Italy and the Czech Republic under the sign of creativity and to promote a dialogue which this time sees 16 young Italian artists with particular expressiveness propose a kaleidoscope of images of great intensity. ” The photographers exhibiting in Prague are: Eduardo De Matteis, Anna Di Paola, Eliana Casale, Claudia Farrace, Alessandro Inches, Geneva Lucidi, Maria Viviana Lorelli, Manuel Mejia, Martina Monti Condesnitt, Marika Moretti, Claudia Rolando, Francesca Salvati, Alice Sciotti , Denise Senneca, Davide Spiridione, Martina Valente. The exhibition focuses on the combination of vision and art, harmonized to gather through a subjective eye everyday reality and life. “In this creative process – as pointed out by curator Genny Di Bert – it recognizes an almost ‘epidemic’ value of the wish to observe, store, get into what you see, make it their own and then spread it with their knowledge and sensitivity. Contamination seen in today’s dissemination of images, between documentation and art phenomenology. The exhibition is a kind of contemporary Italy vantage point in the exhibition space: Italy in Italy. “(Red)